Carrying Forward The Traditional Textile Culture And Promoting The Construction Of Textile Power -- The First China Textile Heritage Conference Was Held Successfully

Culture is the soul of a country and a nation.

Culture flourish and flourish, culture strong and nation strong.

Without a high degree of cultural confidence, without the prosperity and prosperity of culture, there will be no great rejuvenation of the Chinese nation.

China is one of the birthplaces of world civilization. Today, with the rapid development of science and technology, economy and information, cultural self-consciousness and cultural confidence have become a more basic, deeper and more lasting force to promote the progress of the nation and the nation.

In November 29th, "construction of textile remains"

The first China Textile intangible cultural heritage conference was held in Qiandao Lake, Hangzhou.

At the meeting, the keynote report of Gao Yong, secretary and Secretary General of the China Textile Industry Federation, sparked widespread concern.

Gao Yong said that carrying forward the traditional textile culture and revitalizing the traditional textile skills is of great significance for the construction of a textile power.

While accelerating the progress of science and technology and improving the manufacturing level, China's textile industry needs to simultaneously enhance cultural soft power, cultural creativity and cultural influence, enhance cultural consciousness, rebuild cultural self-confidence, carry forward the spirit of craftsmen, and promote "textile power" to "

Transformation.

At the meeting, Gao Yong separately analyzed and discussed the following five aspects: the historical inheritance and the characteristics of the textile heritage, the important historical opportunities, the new ecological development of sustainable development, the basic principles of sustainable development and the development direction and path of textile heritage in the new era.

First, the historical heritage and characteristics of China's textile heritage.

China's textile heritage has a long history and deep foundation, showing new characteristics of the times in the new historical period.

(1) textile heritage has a long history and profound foundation.

Up to now, China has published 1372 state-level intangible cultural heritage projects in four batches, of which more than 100 non-woven textiles are distributed, which are distributed in three major categories: folk art, traditional handicrafts and folk customs. They mainly include traditional crafts such as spinning, dyeing, weaving, embroidery, printing, and all kinds of national costumes.

These textile heritage items are the unique historical language and profound cultural imprint of China's textile industry.

According to archaeological research, in the middle of the Neolithic period five thousand or six thousand years ago, China began to raise silkworms, take silk and make silk.

In the Shang Dynasty, silk production had begun to take shape, and more complicated looms and weaving techniques emerged.

During the Western Zhou Dynasty, spinning and weaving machines with traditional properties appeared, and silk varieties such as silk, Qi and brocade were constantly enriched.

The emergence of brocade is an important milestone in the history of Chinese silk. It combines the excellent performance of silk with art, greatly enhancing the cultural connotation and historical value of silk products.

During the Qin and Han Dynasties, China's silk trade and output flourished unprecedentedly, promoting the further development of economic and cultural exchanges between the Central Plains and the border areas, China and the East and the west, and thus the world-famous "Silk Road".

The traditional textile used in ancient times, such as cotton, wool, linen, silk and other natural fibers, especially the extensive use of silk fiber, promoted the progress of Chinese ancient textile technology and textile machinery, and became the most characteristic and representative textile technology in ancient China.

In 2009, Chinese traditional mulberry silk weaving skills and Nanjing brocade weaving techniques were selected as the representative list of human intangible cultural heritage.

(two) the characteristics of textile intangible cultural heritage

The textile heritage is mainly handed down from the Chinese nation handed down from generation to generation, and is an important part of traditional culture. It carries the most extensive and deepest emotion and life of the textile industry and textile people.

In the new era, textile heritage has shown unique value and boundless charm in inheriting local culture, building social harmony and promoting economic development.

1, variety and distinctive features.

Textile heritage is one of the most traditional categories of Chinese traditional handicrafts, with the largest number of categories, the most extensive coverage and the richest varieties, with distinctive local characteristics and national characteristics.

In China's state-level non heritage projects, there are only 30 embroidery skills, including embroidery, Shu embroidery, Guangdong embroidery and Xiang embroidery "four famous embroidery", as well as local embroidery and embroidery of ethnic minorities.

2, promoting employment and accurately helping the poor.

It has played an important role in promoting employment, achieving precise poverty alleviation, increasing the income of urban and rural residents, accelerating the development of urbanization, and building beautiful villages and distinctive towns with traditional cultural connotations.

3, hand-made, highlight personality.

The core of traditional textile technology is creative and personalized handwork. With the improvement of economic and social development, the pursuit of individuation and product quality is becoming a common way of life and consumption in modern society.

The revitalization of traditional textile technology is also aimed at meeting people's basic living needs and changing it to the goal of improving quality of life and satisfying personalized high quality consumption.

4, affinity to people and integrate life.

Textile heritage is naturally integrated with the public life. Traditional textile technology is mainly represented by household textiles and clothing, and is closely related to people's daily necessities such as clothing, food, shelter and daily life.

Textile intangible cultural heritage can well embody the concept of "seeing people see things and seeing life" and "letting non heritage into modern life", with the natural advantages of entering life and integrating into life.

5.

Environmental protection and strong ductility.

Traditional textile technology mostly uses natural raw materials and plant dyeing, making the process green and environmental friendly.

At the same time, textile heritage is highly extensibility and derivative. On the basis of keeping the integrity and authenticity of the intangible heritage, it is suitable for developing rich products and related cultural, creative and cultural tourism derivatives that meet different levels and needs of the market.

6, quintessence and diplomacy.

Embroidery, silk, batik and other textile heritage have excellent traditional cultural connotation, reflect the exquisite and ingenuity of traditional craft, show the unique value and infinite charm of Chinese quintessence to the world, and are suitable for international cultural exchanges and international trade and cooperation with specific products as carriers.

Two, the heritage and development of textile heritage will usher in important historical opportunities.

(1) the national level: the nineteen put forward the construction of a strong cultural power.

The socialist culture with Chinese characteristics originated from the Chinese excellent traditional culture bred by the Chinese nation over the past five thousand years of civilization.

The nineteen decisions of the party, the socialist culture with Chinese characteristics, and the socialist road with Chinese characteristics, the theoretical system of socialism with Chinese characteristics, and the socialist system with Chinese characteristics are written into the party constitution, so that the whole society can have a profound understanding of the party's cultural mission in the new era.

In his nineteen major reports, general secretary Xi Jinping pointed out: since the founding of the CPC, the CPC has been an active leader and practitioner of China's advanced culture and a faithful inheritor and promoter of the fine traditional Chinese culture.

The contemporary Chinese Communists and the Chinese people should and must be able to shoulder the new cultural mission, make cultural creation in practice and create cultural progress in the course of historical progress.

(two) industry level: building a strong textile country requires cultural self-confidence.

As a major consumer goods indispensable to people's lives, textile and clothing are an important part of people's beautiful life.

In the process of advancing from "big textile country" to "strong textile country", China still has problems of unbalanced development. It is urgent to carry out structural reform of supply side.

The imbalance is mainly reflected in the imbalance of industrial structure, regional structure, enterprise structure, technological structure, product structure and so on.

Inadequacy is mainly reflected in the manufacturing industry, the integration of textile industry and cultural industry is not enough, traditional technology and modern design and production are not fully integrated, textile and garment enterprises brand reflects cultural awareness and cultural self-confidence is not enough, textile and clothing personalized, customized to meet the consumer demand for a better life is not sufficient.

The textile industry is a traditional pillar industry, an important livelihood industry, and an industry that creates new advantages of internationalization. It is a combination of technology and fashion, consumption and industrial use. It has a long history and profound cultural background.

In the new era, the textile industry will play a more important role in beautifying people's lives, enhancing cultural confidence, building ecological civilization, promoting related industries, stimulating domestic demand growth, and promoting social harmony.

(three) international level: "one belt and one road" promotes cultural diplomacy.

China is about to usher in 40 years of reform and opening up.

"One belt and one road" is not only the road of economic and trade, but also the road of culture.

Co construction "

"It not only promotes cooperation in economy, commerce and trade, but also brings new opportunities for the development of cultural relations between China and the countries along the border. It will effectively promote the common aspiration of China and the countries along the border, and comprehensively promote cultural exchanges and cooperation at home and abroad.

Along the road, the countries along the belt and road have a long history and rich cultural heritage resources. They can carry out exchanges and cooperation with the countries along the route through silk, embroidery and other textile relics, and build a "one belt and one road" cultural prosperity.

Three. Building a new sustainable development of textile heritage.

(1) what is the new ecosystem of sustainable development?

Textile heritage is a dynamic practice and needs to be inherited.

It needs to interact with the changes in nature and history, interact with social environment and social needs, and constantly form contents and forms that are compatible with the actual environment in the practice of inheritance.

In the new era, the development characteristics of modern industrial civilization, Internet technology, industry and fashion are intertwined and integrated with traditional textile culture and technology. The conditions and environment for the protection and inheritance of textile heritage have changed significantly. The original ecological elements are gradually changing under the natural law of "survival of the fittest, survival of the fittest".

Textile non heritage needs to seek new ecological balance that meets the objective laws of market and industrial development, and maintains the authenticity, diversity and richness of traditional culture and technology in today's market economy environment, and realizes sustainable development through coordination and joint efforts of all elements and forces of the new ecosystem.

(two) construction elements and influencing factors of new sustainable development of textile intangible cultural heritage

1. Inheritors and inheritors.

Giving play to the important role of inheritors and inheritors in the process of identifying, protecting and inheriting textile intangible heritage is the embodiment of the concept of "seeing people see things and seeing life".

The construction of learning ability and inheritance and innovation ability of inheritors and inheritors is directly related to the sustainable development of textile heritage in the changing era.

Their ability to inherit and practice is reflected in the depth of understanding of their traditional culture and skills, the mastery of their knowledge and skills, the knowledge and skills they need to recreate, and the ability to get corresponding economic benefits in the inheritance of related textile heritage projects.

Strengthening the capacity building of inheritors and inheriting people is of great strategic significance for maintaining the vitality of textile heritage.

2, entrepreneurs, designers, brand dealers

Textile heritage is derived from the textile industry, rooted in the textile industry, inheritance and development is inseparable from this industry.

The traditional textile culture and skills have been going on for thousands of years. It is precisely because of these traditional culture and skills in textile and clothing production and life practice has been constantly applied and innovative.

The entrepreneurs, designers and brands of textile and garment industry are important forces for the continuous and extensive application and innovation of traditional textile culture and technology. They are the main practitioners and promoters of textile traditional techniques integrating into the new era, new life and new market, and realizing the preservation and inheritance of non heritage.

3. Government, industry organizations and social forces.

The protection and inheritance of textile heritage is faced with the test of the market economy environment. The decisive role of the market in the allocation of resources is also reflected in the process of cultural heritage protection and inheritance. Therefore, under the market economy condition, the sustainable development of textile heritage needs the two forces of the government and the market, which requires the joint efforts of the government, industry and all sectors of society.

It should be led by the government, promoted by the industry, joined by the social forces, divided and coordinated, and formed a resultant force; long-term planning, step by step implementation, combination of points and faces, and practical results.

The combination of state support and self hematopoiesis enhances the ability of textile non heritage to self hematopoietic function and to adapt to the market economy environment.

4. Modern media, film and television and Internet technology.

Ideology determines the direction and path of development of excellent traditional culture.

In the process of protection and inheritance of textile intangible cultural heritage, we must establish an excellent traditional culture ideology with strong cohesive force and leading force, so that participants can be highly consistent in ideals, beliefs, values and moral values. We should attach great importance to the innovation of communication mode, improve the public opinion, communication, guidance, influence and credibility of modern media, film and television, and enhance the Internet content construction and Internet technology application, and introduce a number of excellent news, film and television works and art works that will spread the traditional culture and exquisite skills of Chinese textile and embody the spirit of great powers craftsmen.

5, research and education

Academic research and systematic education is an important part of the inheritance of excellent traditional culture, and it is indispensable to improve the inheritance and development level of textile heritage.

The study of textile heritage as a systematic cultural phenomenon and its integration into the education system involves not only the professional knowledge of textile intangible heritage items, but also folklore, anthropology, sociology, ethnology, religious studies and other disciplines, involving a wide range of production and life practices.

Therefore, in the research and education of textile intangible cultural heritage, we should advocate solid and in-depth practical investigation and theoretical research, advocate practical, logical and rigorous academic style, respect history and respect reality.

6, international exchanges and cooperation

From the perspective of the history of Chinese and foreign cultural relations and the development of human civilization, the enrichment and development of cultural traditions are closely related to the flow of people from different regions, nationalities and production techniques, and are closely related to the interaction and interaction of different cultures, customs and consumption.

In the new era of dramatic changes in the international pattern, cultural exchanges and frequent trade activities, the changing development of traditional textile culture and traditional skills needs a more grand view of history and an international perspective. It needs to be more open, inclusive and sharing to integrate into international exchanges and cooperation.

Four, the basic principles of sustainable development of textile heritage in the new era

(1) adhering to creative pformation and innovative development

General secretary Xi Jinping's "creative pformation and innovative development" is an important guideline for guiding the inheritance and development of Chinese excellent traditional culture.

In the process of protection and inheritance of excellent traditional culture and traditional skills, we must unswervingly adhere to creative pformation and innovative development, so that the most basic traditional culture and traditional technology of the Chinese nation are compatible with contemporary culture, production and life style, and coordinate with the contemporary society.

The key to adhering to creative pformation and innovative development is to grasp the relationship between inheritance and innovation and handle the relationship between traditional culture and the present age.

We must adhere to dialectical materialism and historical materialism, uphold the objective, scientific and polite attitude, take the essence and discard the dross, discard succession and pform innovation, and constantly endow new era connotation and modern expression form.

(two) correctly handle the relationship between traditional crafts and modern industrial civilization.

The proposition of intangible heritage protection under the background of industrialization and urbanization is essentially how cultural inheritance challenges the change of natural and social environment.

Therefore, we need to correctly handle the relationship between economic construction and cultural heritage protection, strive to maintain a sustainable balance of cultural and ecological environment, and effectively maintain and improve the conditions for the pmission of excellent traditional culture.

To strengthen the organic integration of traditional culture and modern civilization, and to scientifically distinguish the value of traditional culture, make excellent traditional culture and skills better integrated into modern industrial civilization, and become the elements and root of modern civilization development.

At the same time, we should use modern scientific and technological achievements to pform and upgrade the means of inheritance of traditional culture and skills, and promote the integration of cultural content with new scientific and technological achievements and create new formats.

(three) correctly handle the relationship between inheritance and market.

The development of non heritage industry is a product of the fusion of culture, market, economy and technology. It has a high degree of integration, strong penetration and radiation.

The integration of textile heritage and clothing, home textiles and cultural and creative industries is an effective way to enhance the adaptability and viability of the economic environment of the textile heritage market, and also an effective way to upgrade the cultural content and cultural soft power of traditional industries and promote the pformation from "made in China" to "made in China".

At present, there are still problems in textile heritage, such as insufficient cultural creativity and design ability, imperfect cultural industry chain and weak ability of independent innovation.

We need to further stimulate creativity while promoting the integration of heritage and market. On the one hand, we will promote horizontal integration of textile heritage and related industries, vigorously develop product design and marketing, create brands, improve quality and enhance added value. On the other hand, we will promote the development of non-woven textiles in the industrial chain longitudinally, and drive the overall development of product manufacturing, brand service, marketing and so on with core culture and technology.

(four) correctly handle the relationship between tradition and fashion.

To further promote the integration of textile heritage with brand enterprises and fashion design, this combination has two specific functions. On the one hand, traditional textile technology can make traditional techniques more acceptable to modern society, modern people and modern consumption through the modern design and fashion language of clothing brand, so that it can better enter modern life and urban life, integrate into the fashion trend, and enable more people to understand, love and use these traditional handicrafts and products, thereby increasing the income of handicraftsmen, raising their living standards, gaining the recognition and respect of the society, and attracting more people, especially young people, to join the ranks of traditional textile culture and skills.

On the other hand, traditional textile culture and skills can give the company brand and designer more inspiration and connotation, enhance the brand's cultural temperament and cultural self-confidence.

At present, more and more textile and apparel brand enterprises and designers have applied traditional textile technology to product design, development and production, fully excavating cultural connotations, integrating with modern design, and gradually forming a group of excellent brands that can embody "Chinese culture, Chinese style and Chinese style".

The integration of traditional technology and fashion design innovation has created a great number of outstanding works. It has become the fashion and trend of fashion stage at home and abroad.

(five) correctly handle the relationship between inheritance and finance.

In today's world, all kinds of competition are increasing day by day. How to take good care of the inheritance and development of heritage is essential. Market development and financial thinking are essential. The historical legacy of textile heritage is the intangible wealth accumulated in the development history of human civilization.

There are many varieties of textile non heritage products, but they also face many problems such as insufficient protection funds, limited source of funds and poor financing channels.

Expanding capital channels and developing textile intangible assets investment and financing

We will promote the cooperation between the textile heritage and the financial sector, capital market, business docking, talent docking, mutual support, and jointly promote and promote cultural, industrial and financial cooperation and common development in many fields.

Five, the direction and path of sustainable development of textile heritage in the new era

At present, carrying forward traditional culture and Revitalizing Traditional Crafts has become an important task for China to carry out the inheritance and development of Chinese traditional culture and protect intangible cultural heritage.

In the process of inheriting and developing China's textile heritage, we must adapt to the new situation, implement new ideas, meet new needs, cultivate new formats, and actively explore the direction and path of practicing textile heritage heritage and innovation.

First, adhere to the concept of innovation.

If we are not good at inheriting and innovating, we will have no foundation. If we are not good at innovation, we will lack vitality.

Emphasizing innovation does not exclude the inheritance and continuity of textile heritage, but emphasizes the establishment of a higher standard on the basis of inheritance, so as to enhance the traditional technology.

The vitality of traditional technology is mainly reflected in diversity, and innovation can effectively protect and enrich the diversity of traditional culture and technology.

The cultural diversity of traditional craft creation, production, dissemination and consumption is the root of the world's rich and colorful as well as the remarkable characteristics of the existence of national culture.

The inheritance and innovation of textile heritage in the new era condenses the cognitive wisdom and practical ability of modern people. It is by no means a simple material reproduction of the past, but a continuation of creative spirit.

Therefore, it is more important to inherit tradition and achieve pcendence through innovation.

The two is docking market demand.

On the basis of respecting and maintaining the authenticity and integrity of the traditional process of textile and clothing, we should actively explore the mode of inheritance and development in line with the market economy environment, and absorb more powerful, brand and channel enterprises to take an active part in the protection and inheritance of intangible cultural heritage. We should explore new ideas and new models of textile heritage, which are "enterprise centered, culture based, market-oriented, product oriented and Internet based".

We should actively explore and promote the integration of traditional technology into modern production, circulation and sales, pform the textile legacy and its resources into real productive forces and products, and extend the protection chain.

Constantly discovering and docking new market demand, according to different levels of consumer demand, research and development of different levels of textile and garment products and cultural and creative products, enhance the survival and development capabilities of textile heritage.

The three is to excavate the artistic features.

Handicraft embroidery, brocade, batik and other textile traditional crafts are famous for their fine workmanship and personality. They are artistic and have no substitute for industrial production.

With the improvement of economic and social development, the pursuit of individuation and artistic taste is becoming a common way of life and consumption in modern society.

Traditional textile technology is also being pformed from the purpose of satisfying people's basic life needs to improving the quality of life.

Traditional handcraft gives the product individuation, niche, scarcity and uniqueness, which is different from the mechanized production of mass production and large output.

The essential difference between hand-made and mechanized production determines that traditional textile technology is more suitable for the customization and customization of art quality, individuation and branding.

Four is to strengthen technology integration.

In the new era of intelligent manufacturing, the traditional handicraft based process is not antagonistic to modern production mode, but is complementary to each other.

From the perspective of diversification of market demand, the supply chain of traditional technology should have enough flexibility to facilitate flexible production.

In this process, the characteristics of mechanized production and handcraft should be complemented, and the precise and accurate production of mechanized production can be penetrated into the links of manual reproduction. The scientificity and accuracy of mechanized production will be combined with the differences and personalization of handwork, so that the characteristics of mechanized production and handcraft can be creatively pformed in complementarity.

This complementarity is also conducive to promoting the extension of the producer services to the high-end of the brand and value chain, and promoting the pformation of the life service industry to fine and high quality.

The five is to enter modern life.

Traditional culture and technology have natural fusion with public life. Traditional textile technology covers clothing, food and shelter.

At present, the country vigorously advocates the revitalization of traditional arts, leaving non heritage into modern life. Traditional textile technology is mainly represented by household textiles, clothing, clothing and handicrafts, and is closely related to people's life and mass consumption and fashion consumption.

Therefore, traditional textile culture and skills have the natural advantages of approaching the masses and integrating modern life.

Especially after entering the new century, the value of traditional textile culture has become increasingly prominent. The handicraft has not disappeared, but it has shown vitality in many aspects such as real life, high-end market and creative industries.

Six, we need to promote international exchanges.

From the perspective of open development, the traditional handmade products of textile and clothing, as the carriers and symbols of Chinese civilization, not only have the cultural heritage of the ancient Silk Road, but also have been the export commodities of high cultural added value since the founding of new China, and have been well received by the people of the world.

The production of textile and clothing handicraft products has played an important role in the construction of modern textile industry system in China. It still has irreplaceable cultural value and economic value for the current "one belt and one way" construction and win-win cooperation in the global pattern, and is further forming a new trend of open development.

Textile heritage is the most valuable treasure for generations of textile industry to leave behind generations. It is the spiritual wealth that can give us the bottom line and make us proud and confident.

It is incumbent upon us to carry forward the fine traditional culture and inherit traditional textile skills.

Let's join hands and gather the wisdom of the whole industry and the whole society to build a new sustainable development of textile heritage. We will strive to build a strong textile country, realize the goal of "two one hundred years" and the Chinese dream of the great rejuvenation of the Chinese nation.

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