The Elements Of Clown Dress Bring Inspiration To Contemporary Design.

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< p > stylization is an important feature of opera costumes.

"Cheng" is an ancient metric name. Later, it is extended to the code of action. "Cheng is the same as things."

The pattern of clown dress is manifested in many aspects such as style, color and fabric.

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< p > the stylized style refers to the rules followed by the role of the stage in the dress style. This rule shows that the collocation between each style and accessories of < a href= "//www.sjfzxm.com/news/ > > drama dress < /a > has established a steady connection with the specific type of the role.

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< p > the formula of color refers to the rules that follow the rules of clothing color when playing stage roles.

This rule shows the color and collocation of drama costumes and establishes a stable relationship with the specific types of roles.

The color of opera costumes is different from that of a clown playing a character type, because of different subjective and objective conditions, such as region, era, class, custom, occasion, character and so on.

The stylization of the color of the clown costume is the specific requirement of the stylization of the costumes and the concentrated reflection of Chinese crown culture and color culture.

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< p > the formula of fabrics refers to the rules followed by stage roles in clothing and fabrics.

This rule is characterized by a stable relationship between the fabric of drama costumes and specific role types. For example, the cortex is mostly used for clowns in Yuan and Ming Dramas, the ordinary generals wearing "leather helmets", the pawns wearing "leather bowl helmets" and so on are all played by clowns, while other generals wear cornice hats and non cortex.

Chinese opera < a target= "_blank" href= "//www.sjfzxm.com/" > clothing < /a > has universality, which can not be restrained by age, season and drama purpose. It has strong expressive ability and intuitive.

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< p > < strong > < a > href= > //www.sjfzxm.com/news/index_c.asp > > dance > /a > dance ability > /strong > /p >

< p > there is a close relationship between drama and dance.

"Operas, they are also singing and dancing stories."

Once the performance of the traditional opera has the standard of performance, it puts forward the requirement of dancing.

The dancability of opera costumes is the performance of costumes to help actors dance.

From the perspective of clown costume, its dance ability can be traced back to the dress in the song and Jin drama.

Cultural relic data show that the role of the paratroid character at that time is funny, and the performance has a dance posture. The robes, the wide shirts and the Yi Yi are soft, and the style is wide enough to satisfy the needs of the dance.

The costumes of the Ming and Qing Dynasties are mainly seen in the screenplay, white tips and illustrations. Although they are rare, they are very particular about the costumes and emphasize the dances of the costumes.

The performance of the Qing palace drama has a higher demand for the dance ability of the costumes. The Python and dance of the clown are very strong. They are very strong in dance, and get rid of the natural life form. The sleeves formed by exaggeration can enrich the performance and convey the feelings of the characters.

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< p > < strong > decoration and symbolism of opera costumes < /strong > < /p >

< p > the composition of opera costumes is related to factors such as style, color, pattern, embroidery, < a href= "//www.sjfzxm.com/" > fabric > /a >.

Clown costume is a symbol of certain status and status. Two, it expresses certain symbolic meanings and embodies specific connotations.

For example, in the clown, Zhuge wears a towel, wears a Bagua coat, wears a pair of ugly clothes and wears a feather fan. The figure is the same as that of Kongming. He is dressed as a military teacher. He wears a broken monk hat and short hair, wears a broken monk garment, a waist rope, a broom in one hand, and a torch in one hand. This is a beggar. Wearing a round yarn, wearing a red official coat, a North Korean boots, and wearing white four happy children, it is a common appearance of the county magistrate.

The prominent feature of color in clown dress is to mark the status of characters. The colors of traditional opera costumes can create magnificent and magnificent scenes, representing all kinds of characters from the emperor to the poor.

The patterns of the clown costume are also very symbolic, such as the gauze cap of the corrupt officials played by the buffoon, and the patterns of the fins are made into copper coins to symbolize the people of the fish.

Clown costumes usually have a beautiful pattern to symbolize their vulgar habits.

Flower robes, floral shirts, flower jackets, painted embroidered clothes are all commonly used costumes for clowns.

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< p > < strong > the comic nature of drama costumes < /strong > < /p >

The comic form of "P" clown costume is mainly shown as "wear flowers", "wear out" and image dislocation.

In the ancient operas, the clown "wear flowers" is a tradition, which is different from the character of the Dan Dan dress, which is elegant in color and soft in color. It gives people beautiful, graceful, elegant and solemn aesthetic vision. The "wearing flowers" of the clown costume is characterized by fancy and clutter.

"Pierced" is an artistic exaggeration, forming a ragged feeling to achieve comical effect.

Traditional Chinese clown shows are often misplaced by means of men's wear, short wear, and misuse of accessories.

The wrong dress of men and women in traditional Chinese opera is a deliberate act, which will be presented to the audience in a wrong way, showing prominence and creating funny effects.

Such as "ugly official clothing", the size is shorter than the general men's official clothes, dedicated to the county magistrate or the curtain guest.

The wrong way to wear accessories is also one of the means of image misplacement. For example, the officials dressed by Wen Chao put their waistbands around their necks, which are incompatible with the dressing and decorating of other characters.

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The characteristics of "P" clown costume are decided by the localization of the traditional opera.

To a certain extent, the function of the buffoon is to make a gag and a comic amusement.

The characteristics of Chinese opera clown costume are actually the accumulation of historical life reflected by opera costumes. Therefore, they are both realistic and historical, and conform to aesthetic needs and artistic rules.

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< p > < strong > the application of the clown costume elements in contemporary design < /strong > < /p >

< p > many elements and methods of traditional opera have been fully used in contemporary design. Many < a target= "_blank" href= "//www.sjfzxm.com/" > designer "/a" draws inspiration from drama.

For example, in modern design, we can draw lessons from the material, color and decoration of opera costumes.

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< p > there are many ways to redesign inspiration in the clown costume of opera. There are many ways to do it by exaggerating the style and doing freehand processing on the overall shape. It can be readjusted on the composition through the application of local patterns, and can also be used to match the colors commonly used in clown costumes to achieve a strong visual impact; and the use of patterns should be based on the characteristics of the entire garment to reorganize and rebuild elements, and be selective and innovative, giving people a sense of beauty.

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< p > 2007, Chinese fashion designer Wen Bo displayed a series of works in Milan international a href= "//www.sjfzxm.com/" Fashion Week < /a >. She got inspiration from the python of opera and the same as the python in the clown costume.

A series of costumes are based on the bright pure color and the Chinese style Panlong designs, which combine traditional patterns and fabrics with international fashionable men's clothing.

Ralph Lauren, an old luxury designer in New York, has set his sights on Chinese elements. His series of works focus on the fascinating Peking Opera, especially those complicated Peking Opera prints.

The series of costumes he created was hidden in ornate, large area of black with colourful colourful colors. He restrained the use of Chinese elements with extreme restraint rather than full of symbols.

These Peking Opera elements make the costumes concise, graceful and mysterious.

At the same time, this group of designs also added dragon pattern, plant pattern and other Chinese traditional opera costumes commonly used patterns.

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< p > looking at contemporary fashion art and even the whole art design, there are many ways of expression in the inspiration of costumes and clown costume, focusing on the Sinicization of texture, Chinese flavor, clothing structure and Chinese elements of pattern innovation.

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